cinematography

Thule Covert Line Camera Bag Series Features Origami-Inspired Divider Systems

Thule is a Swedish bags manufacturer with over 50 years tradition in the field, bringing all sorts of carrying solutions that cover various areas from...See it on Scoop.it, via Cinescopophilia ...read more...

Read more...

ikan 150 mm Bowl Heavy Duty Hi-Hat:

ikan drop the IKT-300 Hi-Hat. The ikan Heavy Duty Cinema Hi-Hat supports 150mm tripod headsSee it on Scoop.it, via Cinescopophilia ...read more...

Read more...

New Sony A6000 & Canon T5 Cameras Reveal the Strategies of Two Completely Different Companies

Sony and Canon both picked today to introduce new lower-end cameras. While Panasonic made the big splash with the 4K GH4, and Blackmagic is lowering the price of their 4K offering, the Blackmagic Production Camera 4K, the Canon T5 and Sony A6000 aren't really answers to either of them. They are both designed to be cheap entry-level models, but the differences in specs and features show just how far apart the two Japanese companies are in terms of their product lines. (more…) ...read more

Read more...

– A Cinematographers Notebook -: “Abdullah” Stock Tests

My @Kodak_ShootFilm tests comparing 5230, 5219, @Panavision G & B series anamorphics with flashing & pull processing http://t.co/16G9UZGF2HSee it on Scoop.it, via Cinescopophilia ...read more...

Read more...

Think a 30+ Foot Camera Crane is Completely Out of Your Budget? Maybe Not

Getting a large crane shot can be nearly impossible on a budget. Very often crane operators are not cheap, and the equipment is also expensive to rent. But what options do lower-budget folks have? Turns out there is some cheaper gear out there that should perform admirably and give you big-budget results. Luke Neumann of Neumann Films reviews one such piece of gear below, the Came-TV 33 ft. crane: (more…) ...read more

Read more...

Meet the ‘Silencer’, a Near-Silent, Trigger-Operated Follow Focus System

You could have a great story, riveting actors, and a capable camera, but if your shots aren't in focus, you've really got a serious problem on your hands. Having an experienced focus puller ensuring that your shots are in focus may be a great advantage during production, but if you're a barebones crew, that responsibility often falls on whomever's behind the camera (probably you). The big obstacle to pulling focus yourself is having to giving up a hand that could be stabilizing your camera, but 24Shots has developed a trigger-controlled follow focus system, the Silencer, that will help you keep...

Read more...
Follow

Get every new post delivered to your Inbox

SteadiOp Steadicam ServicesSteadiOp Steadicam ServicesSteadiOp Steadicam ServicesSteadiOp Steadicam ServicesSteadiOp Steadicam ServicesSteadiOp Steadicam Services