... cinema cameras with any long or short lens option available on the market. The Red Epic-X, Arri Alexa M, or Sony PMW-F55 camera with the Canon 30-300 or Angenieux Optimo 24-290/28-340 is a high demand combination with this platform.See it on Scoop.it, via Cinescopophilia ...read more
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The Genus Mini Jib is about the same size or smaller than most tripods, making it the perfect companion for the travelling filmmaker.See it on Scoop.it, via Cinescopophilia ...read more...
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The Nikon D4s is Nikon's newest professional DSLR. It's pretty much the same as 2007's D3, with the addition of a million little features like video and stupid-high ISOs. (Why wait for "Rumour" Sites....See it on Scoop.it, via Cinescopophilia ...read more
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One of the Academy Award categories that is fast becoming not only an industry favorite, but a fan favorite, is Best Visual Effects — and for good reason. VFX have made it possible to tell impossible stories, ever more adeptly selling the illusion that what's up on-screen, be it Ryan Stone adrift in space or Tony Stark's exoskeleton, is absolutely real. With this year's Oscars is proving to be another big year for visual effects, with the nominations of Gravity and Iron Man 3 to name a couple, let's take a look at the last 37 years of Academy Award-winning VFX in this great retrospective by Nelson...
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Arri's website has a great set of resources for anyone interested in working with the ALEXA / ALEXA XT, from a menu simulator to downloadable footage, to videos explaining how to work with ARRIRAW. One of the best of these resources is their comprehensive ALEXA XT FAQ. The FAQ does a nice job of outlining the differences between the ALEXA XT and ALEXA Classic, as well as covering questions about the XR Module, 4:3 Sensor, and Arri's Lens Data System. For more information on topics such as image processing, workflow, and power, make sure to visit the general ALEXA FAQ. Please note: the ALEXA XT FAQ doesn't...
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