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Sony R5 Quick Tip: Updating Firmware

Sony's latest firmware v3.0 is full of big updates to the F5, F55 and AXS-R5 RAW recorder. Andy recently did a blog on some of the new features, and while updating the firmware on the cameras is a pretty straightforward process, the R5 is a bit trickier. In my video above, I will take you through a step-by-step explanation of how to update the R5 using a Mac. (Please note: If you are running Windows, the process is identical except that you must format the AXSM media card in the camera instead of in the CR1 reader.) To download firmware v3.0 for the AXS-R5 and to view the full list of updates,...

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LaCie Announces Little Big Disk Thunderbolt 2 Drive

Your dreams of a super-fast 4K workflow have just gotten a little more real. At CES, LaCie debuted their new Little Big Disk Thunderbolt 2, which is one of the few Thunderbolt 2-enabled drives currently on the market. If you're planning on making the jump to 4K this year, you'll be happy to learn that the Little Big Disk can reach speeds up to 1375MB/s. It also features PCIe SSDs, which are both smaller and 2.5x faster than SATA SSDs. This makes the drive perfect for anyone needing fast storage (such as working with 4K, Raw, multiple HD streams, etc). During the CES show, LaCie even demonstrated...

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Viewing ALEXA Log C Footage in Final Cut Pro X

We've discussed many of the advantages of shooting Log C on the ALEXA before, but often one of the biggest roadblocks is the preconceived notion of an overly complex workflow. While this can be true if you need to grade the majority of your footage, often times (especially if you nail your exposure), a simple translation is all that is necessary. If you plan on delivering Rec. 709 content or simply prefer to edit in a 709 environment, sometimes a quick look is all you need. The latest update to Final Cut Pro X adds an easy way to view, edit, and output Log footage as a corrected 709 image, potentially...

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CES 2014: Trends for Filmmakers

Last week I visited the Consumer Electronics Show in Las Vegas, which features millions of electronic gadgets that would make any geek smile. I went with purpose though, touring the massive halls looking for new gear and technology that might have an impact on filmmakers. It was tough sifting through all the cellphone accessories and headphone booths, but I think I found some key trends in the mix. 4K & Ultra HD Televisions This might seem like an obvious one, but the sheer amount of 4K/Ultra HD televisions at the show was very impressive. Samsung, LG, Sony, Panasonic, Polaroid, Toshiba, and many...

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AbelCine’s Mike Nichols to Participate in Sundance Panel

AbelCine's Mike Nichols, NY Rental Manager, will be attending Sundance and participating in Big Vision Empty Wallet's panel discussion on producing indies. The panel will take place at the New York Lounge in Park City on Tuesday, January 21 at 11am local time / 1pm Eastern. If you're in town for the festival, the panel is free to attend – no festival pass required. The panel will also be Livstreamed for those not at Sundance. Just visit bigvisionemptywallet.com/sundance at the time of the panel to tune in. Description Producing independent films is an evolving art form. Successful production...

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Prices Revealed for AMIRA, ARRI’s Cheaper ENG-Style ALEXA-Sensor 2K/HD/200FPS Camera

At the IBC show in Amsterdam back in September, ARRI made a huge splash unveiling the AMIRA, which has the same 16:9 sensor as some of the higher-end ALEXA cinema cameras. While the AMIRA is an ENG-style camera marketed towards documentary filmmakers by the company, the possibilities for its use certainly don't stop there. The promise of ALEXA image quality in a cheaper rental package is certainly enticing, but what if you want to own one of your own? Click through for some pricing information that has finally been revealed. (more…) ...read more

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